Vintage Isco Schneider lenses from the 1960s and 1970s were built from solid brass, and are built as solid as a tank. Many anamorphic lenses were made in an era where size and weight were secondary considerations to build quality. So which camera works best? Which primes? Which anamorphic? Here are the three most important things to consider when choosing an anamorphic lens: Optional single focus attachment or SuperScopeĪ typical anamorphic setup with the Isco MicroĪlthough we sell full ready-to-shoot setups in our store, each of the components can be purchased separately and there are many other lenses that are available outside of our store.A clamp for the front filter thread of your prime lenses to attach the anamorphic lens. A DSLR or cinema camera- preferably with a smaller sensor size.To help narrow down options and be sure that you get the right anamorphic lens that’ll take your cinematography to the next level, we’ve put together this quick guide.Ī DSLR anamorphic setup consists of the following: Endless combinations of cameras and prime lenses make it extremely difficult to pick the anamorphic that’ll work with your exact kit and your style as a filmmaker. Virtually all anamorphic lenses available for sale are no longer in production, haven’t been for many years, and are generally poorly documented and tested. When choosing an anamorphic lens, the amount of options out there can feel overwhelming.
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